Miguel de Cervantes, Father of the First Modern Novel

The Reason Cervantes Asked To Be Buried Under A Convent

" It was Miguel de Cervantes' dying wish to be buried inside the walls of Madrid'sConvento de las Trinitarias Descalzas, where a dozen cloistered nuns still live today, nearly 400 years later. Cervantes, born in 1547, is the most famous writer in the Spanish language. But the world would never have read his literature if it weren't for the Trinitarian nuns. Cervantes believed he owed his life to them. That's because before Cervantes wrote his two-volume masterpiece, The Ingenious Gentleman Don Quixote of La Mancha, the author had some chivalrous adventures of his own.

As a young man in his early 20s, he fled Spain for Rome, after wounding a nobleman in a duel. By 1570, he returned home and enlisted in the Spanish navy. He went to war to defend the pope — and got shot in twice in the ribs, and once in the shoulder — an injury that left his left arm paralyzed.  And it was only then that he got kidnapped by Algerian pirates.

"He was taken prisoner. He spent five years — five terrible years — as a slave, as a captive," says historian Fernando del Prado, With Cervantes enslaved in Africa, his family appealed to the Trinitarian nuns. They managed to raise a ransom and deliver it to the pirates — which won Cervantes his freedom."

Time is brief,
anxieties grow,
hopes diminish,
and yet my desire to live 
keeps me alive.                 
The Trials of Persiles and Segismunda, Miguel de Cervantes

Lina Bo Bardi

Lina Bo Bardi at 100: Brazil’s alternative path to modernism 

Lina Bo Bardi's buildings are shaped by love, people are at the center of her projects. At Sesc Pompeia, her masterpiece, old men play chess and children play with building blocks. People sunbathe on a boardwalk called “the beach”. 

Viva Lina! An Italian in Brazil

So much passion, love, life! Lina was on constant pursuit of the essential and the functional, the ability to innovate and the place people the center of every project. 

Brazil is on my radar! Latin America in Construction: Architecture 1955–1980, will be on view at MoMA March 29–July 19, 2015. Looking forward the exhibition.

Cesare Deve Morire

Caesar Must Die is a  poetic expression of freedom and life. The story takes place at the high - security Rebibblia Prison in Italy. The real inmates prepare a performance on stage "Julius Caesar" by William Shakespeare.

“Caesar Must Die” is a really poetic film in addition to being realistic. It’s also notable that three of the inmates taking part in the play became involved with art after being released; two of them wrote books on freedom, while Striano started acting. The film transformed both actors and the audience, allowing them to peer beneath the surface. This could lead us to the notion that art will be our savior, even if Caesar must die!

Directors: Paolo and Vittorio Taviani

Wild Tales

Wild Tales is  a story about love, deception, the return of the past, a tragedy, or even the violence contained in as everyday detail, appear themselves to push them towards the abyss, into the undeniable pleasure of losing control.

Wild Tales is a great new movie from Argentina, nominee for Oscar Best Foreign Language Film 2015.  Don't miss it! Enjoy!

Photography

Two great artists are showing their work in Chelsea this week. Don't miss them!

JOSEF KOUDELKA at Pace Gallery

Julian Cox observes:  There is something somber and disquieting about Koudelka’s panoramas. On the one hand, they are statements of fact and unstintingly particular in what they describe, but, on the other, they also function as a system of ideas as well as a ravishing feast for the eyes. Their beauty captivates, even if they do not provide an entirely hopeful picture for today or tomorrow. . . .

ERWIN OLAF at Hasted Kraeutler 

Describing Olaf’s work, the gallery’s website explains, “A compelling frisson is generated in the space between his superficially sleek surfaces and the depth of emotion they convey; between their expressive power and their formal silence. Every work Olaf produces is characterized by an almost overpowering energy of potential and poise, hovering in a place where all action is merely suggested or insinuated”.